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A Selection of Videos about Biophilic Design and our office

Biophilic Design

Biophilic Design

Residential Projects

Video 1: The Architecture of Life 

信用:親生物設計生活的建築,  

         http://www.biophilicdesign.net/

Biophilic Cities how Architectural Technologists can use Biophilic Design to support people & planet
The Journal of Biophilic Design

Biophilic Cities how Architectural Technologists can use Biophilic Design to support people & planet

Video 2: Journal of Biophilic Design Interview with Robert Bedner Director of Cura Design

Credit:: Journal of Biophilc Design 

 https://youtu.be/NoNkCD_6xS8?si=ORY9YRpSL8C85HkW

#6 - Nature based Solutions (NbS) and Integrating Nature into our Buildings
Future Plymouth 2030

#6 - Nature based Solutions (NbS) and Integrating Nature into our Buildings

Video 3: Future Plymouth 2030 - Case Studies on Biophilic Architecture with Robert Bedner

How CURA defines Biophilic Design​"Study nature, love nature, stay close to nature. It will never fail you"

 

(Frank Lloyd Wright from "The Wright Style" Carla Lind 1992)​Cura Design believe architecture is primal - for the spirit and inextricably tied to the landscape and nature that surrounds it. All projects that Cura Design carry out are biophilic to some degree. Simply put, biophilic design endeavours to do its best in two areas. First to protect and enhance nature and biodiversity wherever a project is being built and second, to increase human well being through a better connection with nature and our surroundings. We believe this approach is essential for our physical well being, our spirtual well being, and for the present and future well being of the planet. This approach has different outcomes for different projects. Sometimes affordable and typical modern rendered cavity construction can be specified other times passive haus detailing, green roofs, hempcrete or traditional cob or earth wall technolgies are utilized. For Cura Design these two tenants of biophilic design can be achieved on any budget to any measure of quality and to any time frame.​ We are living in a disappearing world"EO Wilson

 

The biodiversity stripes are based on the the Living Planet Index which tells us that the population of mammals, birds, fish, amphibians and reptiles has now seen an average drop of 69% globally since 1970 ​Recent research has revealed the world’s 7.6 billion people represent just 0.01% of all living things, yet have caused the loss of 83% of all wild mammals and half of plants, while pets and livestock abound.The major cause of wildlife decline (69%) is habitat degradation and habitat exploitation carried out by human beings.​Loss of habitat through the rapacious industrialization and development of our natural environment is the primary cause of what many are calling a 6th Extinction Event. Some would say we live in a civilization that is in contradiction with life itself. A civilization hard wired to exploit the earth, and to divide people and to destroy the environment.​Historically, the vast majority of the architectural profession has supported this "business as usual" system through willfully producing image based designs that capture our imagination but destroy the reality of our natural environment in the process. Since the 1950s the majority of the profession and its institutions have failed in their most basic tenent - to create a better world.

建筑师失败了。大自然正在消亡。
建筑师失败了。他们没有创造一个更美好的世界。
建筑师要承担很多责任。

親生物

CURA 如何定義親生物設計

“研究自然,熱愛自然,親近自然。它永遠不會讓你失望”(弗蘭克·勞埃德·賴特來自“萊特風格”卡拉林德 1992)

Cura Design 相信建築是原始的——因為它的精神與周圍的景觀和自然密不可分。 Cura Design 執行的所有項目在某種程度上都是親生物的。簡而言之,親生物設計力求在兩個方面做到最好。首先,在項目所在的任何地方保護和增強自然和生物多樣性;其次,通過與自然和周圍環境的更好聯繫來增進人類福祉。我們相信這種方法對於我們的身體健康、精神健康以及地球現在和未來的健康至關重要。

 

這種方法對於不同的項目有不同的結果。有時可以指定價格合理且典型的現代渲染空腔結構,其他時候可以使用被動房屋細部、綠色屋頂、大麻混凝土或傳統的棒子或土牆技術。對於 Cura Design 而言,這兩個親生物設計租戶可以在任何預算、任何質量衡量標準和任何時間框架內實現。

“我們生活在一個正在消失的世界”

EO威爾遜

最近的研究表明,全球 76 億人口僅佔所有生物的 0.01%,卻造成了 83% 的野生哺乳動物和一半的植物,而寵物和牲畜卻比比皆是。 野生動物數量減少的主要原因(68%) ) 是人類進行的棲息地退化和棲息地開發。

由於我們的自然環境的貪婪工業化和發展而導致棲息地喪失是許多人稱之為第六次滅絕事件的主要原因。有人會說我們生活在一個與生命本身相矛盾的文明中。一個文明硬要剝削地球,分裂人類並破壞環境。

從歷史上看,絕大多數建築行業都通過故意製作基於圖像的設計來支持這種“一切照舊”的系統,這些設計捕捉了我們的想像力,但在此過程中破壞了我們自然環境的現實。自 1950 年代以來,該行業的大多數及其機構都未能實現其最基本的宗旨——創造一個更美好的世界。

从图片中可以看出,野生动物数量正在减少。
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